JEFFREY is the second fragrance in the world dedicated to a serial killer and the second chapter of Spiritica's Crime Collection. This perfume investigates duality, the divided mind, and the tension between light and darkness. The composition was born from a shared vision. Alongside founder Daniele Muratori Caputo, perfumers Paolo Cerizza and Lorenzo Orlandi Berti collaborated in crafting a complex and disquieting olfactory equilibrium, where coldness and sweetness alternate like mental states. The opening is sharp, cold, almost clinical: iced beer, popper accord, white orange, live yeast, and acidic aldehydes. It's the scent of everyday life before it fractures — the deceptive calm of a clean room, the moment before the fall. The heart opens like a wound that breathes: dirty carpet, carnation, coagulated blood, human sweat, and a sharp blade. The air becomes heavy, almost solid. It is the smell of a mind cracking apart, of the paranormal echo that lingers, of presences floating beyond time — a world where reality and hallucination coexist, where body and soul dissolve into one another. The base is the sweetest confession: melted plastic, damp cellar, amber, birch, and vetiver. It's the unsettling caress of a toxic love, the promise that refuses to fade, the tenderness that turns into obsession. A fragrance that grips the skin like a memory unwilling to die. A special mention goes to Lorenzo and his team at Only the Dreamers, who created a one-of-a-kind cap with an extraordinary flocked and laser-engraved finish — an exclusive texture that reproduces the very carpet of Jeffrey's apartment. Jeffrey is an extreme olfactory work. A story of attraction and annihilation, of tenderness and madness. A perfume that does not merely evoke — it breathes, it lingers, it possesses. It is not a commercial product. It is an artistic creation — free and deliberate — that uses the language of scent as a medium of storytelling and introspection. Like a film or a book, Jeffrey narrates, provokes, and invites reflection. It is a wearable work of art, a fragment of disturbed and painfully real humanity transformed into sensory experience. For the historical and conceptual development of this fragrance, the founder also collaborated with Daniela Cavallo, a law graduate and criminologist, who contributed to defining the behavioral profile of the killer and the narrative structure of the project. As she herself states: 'Perfume becomes a dialogue between emotional and narrative stimulus — an artistic work that explores the human soul and its contradictions.' 'Dahmer evokes very particular and unconventional notes. It is a narcotic fragrance, cold yet capable of awakening, at the same time, a sense of warmth — the embrace of a man.' After his capture, Jeffrey Dahmer pleaded completely guilty. He chose to cooperate with investigators and asked the judge for the death penalty — a sentence that was not imposed, as it was not permitted in that state.